Erika Roa - boys dig on beach

Discovering Voice in your Documentary Images

Contributor Articles

Several years ago I took a class on street photography at the local community college. The instructor told the class a story about how, years ago, he went through a phase where he would go out shooting and come home with image upon image of clocks and parking meters. It took him a few weeks to notice the pattern and then a few more weeks to decipher what the patter meant. He explained that, at the time, he was approaching his 40th birthday and had been thinking a lot about growing old, mortality, and his time running out; hence, the clocks and parking meters.

Erika Roa - girl eats popsicle atop playhouse Erika Roa -sidewalk chalk on pavement at nightErika Roa - boy plays possum at rock climbing gym

I’ve always been intrigued by this idea that art can reveal something about the artist. Not only about a period in their life, but about the artist as a person. From the perspective of the artist, analyzing our own work can be an effective method of self reflection, determining who we are as artists, and discovering the message our work conveys. But this can be a little hard to wrap your mind around as a documentary photographer. After all, you aren’t creating the scene in front of you and you aren’t manipulating during post processing. However, there are so many choices you must make regarding each image, when you cull a session, and when you select your absolute favorite images. Those choices hold the secret to the voice in your documentary work despite the fact that you haven’t consciously decided on a color scheme, lighting set up, or posing of your subject.

Erika Roa - Baby in hospital bassinetErika Roa - kids playing in drivewayErika Roa - boy reaches for books

To start exploring, begin making a collection of some of your favorite images; not the ones that got the most likes on Instagram, or the ones you know you should include in your professional portfolio. I mean the ones that make your heart sing and especially the ones you love but can’t exactly say why. Start looking for similarities. Seek out common threads of content (moments of humor, joy, nurturing), of composition (use of lines, layering, or negative space), tonality & exposure (black & white vs. color or a preference for bright lights or deep shadows), choice of focal length (a preference for wider images or tighter images), and aperture (a preference for isolation or inclusion).

Erika Roa - exterior light floods playroom at nightErika Roa - boy at window on ferryErika Roa - boys dig on beach

Once you see a few patterns emerge, consider how those patterns might reflect your personality or interests outside photography. Are you introverted? Are you one that gravitates towards happy endings or do you prefer ambiguity? Do you prefer order or a perceived sense of chaos? A few images may even stand out because of the visceral emotional link to the space and time you captured the image. These images may give you some extra indication of your head space at the time, similar to the parking meters mentioned at the beginning of this article.

Erika Roa - girl grabs berry from garden Erika Roa - boy eats ice cream while baby yawns at IKEAErika Roa - boy and dog stare down

Digging deep to find information about your motivation and style can be of great benefit when developing your brand and/or making decisions about your portfolio, plus it’s pretty fun. You never really know what you might discover.

Erika Roa - 3 people walking on beachErika Roa - boy trips in yard Erika Roa - boy drinks bubble tea

Facebook Community Post – August 2017

Facebook Community Posts

Thank you so much for all your June submissions!  We loved seeing all your documentary family favorites. This month’s top honor goes to Day in Your Life Project. Make sure to stop by Row’s page, and the pages of all our Top 5 artists to check out more of their work.

Day in Your Life Project

*****

Rural Life Photography

Greg Bethmann

Photography by Milana

Angela Douglas Photography

*****

To see your photo here next month post your favorite documentary family images directly to our Facebook timeline. You can also share your photos on Instagram using the hashtag #shamoftheperfect for a chance to be featured on our Instagram feed and our monthly IG Top 5.

Featured Artist – Angela Douglas

Featured, Featured Artist

Angela Douglas is a mom of four and a documentary photographer in Virginia who is in the middle of her second 365. You can find more of her work at her website, Facebook, and Instagram. Here is what she had to say to our contributors:

Jenny: I love your images! And your compositions are incredible! There is so much happening in all of your images with your amazing use of layering. It certainly doesn’t seem to be chance, so do you set out to capture layers in your frame and just wait for the right moment when everything comes together? Do you have any advice in using layers?

First off, thank you so much for the compliment. Both my husband and I come from large families so I’ve really been forced to learn how to shoot with lots of layers and complex compositions. I find that I’m drawn to the chaos of that though. Once I learned how to utilize micro-composition in my photography (from a class at Clickin Moms), I started using that technique much more often in my images. I find myself hanging out where the scene seems to flow the best and waiting for that perfect shot. My advice to you all would to be patient and shoot a lot more often. The more shots taken, then better your chances are of that one perfect image.

Jessica: You do a fantastic job of capturing your family life and the feeling of your kids’ childhood. Having four kids myself and three of them being teenagers, my shooting of them has changed. Do you find that your kids’ attitude about you making pictures of them has changed at all? Do they mind you documenting their lives? How do you respect their privacy and still follow your heart (and eye) as an artist?

At the moment, the only child of mine who gets upset and sometimes asks me not to post something on InstaGram or Facebook is my 7-year-old son. My daughters really don’t seem to mind at all, I guess you can say they are well adjusted to being behind the lens. I do my best to stay cognizant of the fact that my older girls are on Instagram and I wouldn’t want them to feel embarrassed about something I posted. I sometimes will ask them if they approve of me posting before doing so. And I do still make it a point to photograph them when they’re upset or displaying their quirky habits, I just choose not to post those ones for the world to see. There has to be some privacy, right?

Gemma: There is so much quirkiness and personality jumping out of your images! I love how you have honed into the feeling of the moment and representing the characteristics of each person over all else in each frame. Is there something that has helped you develop this style as you approach a scene? Any tips you have learned along the way to achieve this level of authenticity with your older children?

I love to find the humor in our everyday lives. The normal day to day activities. When the kids spill milk all over the dining room table, instead of getting mad or upset, we laugh a little then clean it up. I do my best not to sweat the small stuff. I feel very fortunate to have children who are very comfortable in their skin and are not afraid to be goofy. They help me create these images by having these larger than life personalities. My older girls have grown up in front of a camera and don’t seem to mind being photographed all the time, although I keep waiting for the day when they finally decide they’ve had enough and fuss at me about it.

Meg: Your photos seem to tell the story of the love your family shares. Do you feel like your kids are able to see that in your photos? What do you think is your biggest reason you take these types of photos of your family?

I hope they can. I want my children to not only see the love I have for them but the love they have for each other when they look back through our annual family albums we create. My biggest reason for doing what I do is the memories, I get to capture all these memories of my children growing up that I can look back on and they will be able to look back on as well. Growing up, I was always that child that loved to look through old photo albums….wondering about the families in the pictures and what their stories were like.

Kym: You capture such great action; how many frames do you tend to take before you get THE ONE?

Some days it feels like I’m taking thousands and thousands. For example, this week we’ve been camping and some of the days I have 300 frames and others, I actually do have around 1,000. I shoot so much that I recently had to get the shutter replaced in my camera. I told you, the more you take the better.

Robin: Since this is your second 365, do you find yourself shooting differently than from your first 365?

Definitely. This time around I am more relaxed about it. With shooting a 365, I’ve realized somedays I feel more inspired and others not so much, so if I miss a day, I don’t let myself feel guilty for it. Right now I am also doing a monthly Day in the Life, so sometimes I take a break the day after so I don’t feel burnt out. The camera and I need a breather too sometimes.

I also consider my street photography as a part of my 365 where as before, I had rules in place for it, that family was all that I was allowed to shoot. I’m learning to let go and not sweating the small stuff.

*****

Want information on how you can be a featured artist? Check out our submission page for all the details.