Capturing images to give life to our memories

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“This is what I like about photographs. They’re proof that once, even for just a heartbeat, everything was perfect.”

– Jodi Picoult, Lone Wolf

Once upon a time, there was a cute little four year old boy that looked up at me with big ole eyes and said, “Mommy, why do you take so many pictures?”

I remember the day, we were sitting in our front yard, playing with our brand new puppy. We were laying in a little patch of grass that was always more full and soft than the rest of the yard and the sunlight shone down on us perfectly, making the mild February day unseasonably warm.

I told him back then that I took so many photos because I used my camera to help capture the world around me. To help me see more beauty in the every day. To help me be more thankful.

Even though that was just a couple years ago, things are becoming a little bit clearer as to my why I do this photography thing. Isn’t it funny how life and time and kids growing up can change you in ways you didn’t even know were possible? While I still use my camera to capture the beautiful world around me, to help me appreciate it, and be more grateful for my life, I have morphed into a new way of thinking about my photos.

Now, every time I pull out my camera, I try to remind myself that this thing that is happening right in front of me, this scene I’m about to capture, it’s a memory being made. I partly do this so that I can remember to take a few shots and then be more present physically to actually be IN the memory. But mostly because I want the photos I take to help me REMEMBER the memory.

Here’s what I mean by remembering the memory: looking back at this photo of my boys sneaking into the snack cabinet, I am overwhelmed with the full scene of the memory, not just parts of it. I remember that I was sitting at my desk feeling pretty frustrated about an editing issue on another image, fighting annoyance (real life y’all) with the loudness of my kids when I told them I just needed like 30 minutes to work, hearing their tippy toes sneaking over, turning around to get on to them, and then seeing this- HUGE grins on sweet faces. They were “invisible” with their glasses on and were trying to quietly sneak a snack. In that moment, all my frustrations went away (followed by some mom guilt that I was even frustrated at them in the first place). But then they came over and hugged me and I apologized for my attitude and we all had a snack (maybe I was just hangry.)

All that from one image.

When I look back at our photos, my memories come alive.

I am reminded of things about the scene that I never want to forget.

And I know that my mind will wane as I get older, and my memories will fade.

I don’t want to forget this day, where my boy saw the big ice block and the hill and asked if he could slide down it like a sled. And the look on his face when his daddy said YES to “will you go with me?”

So I take photographs. Tangible, visual reminders of the memory. To fill in the gaps of the fuzz in my brain.

The quote up at the beginning talked about how photographs can help us remember a moment in time where everything was perfect… I do love that. But I also am realizing that photographs can do more than document the perfect times. They can document EVERY time. The good, the bad, the sad, the happy, the real.

And real life is what I want to remember, even all the wrestling.

So I’ll keep taking all the photos, of every part of every day, so that I can keep on remembering for as long as I can.

IG Community Post- January

Instagram Community Posts

We are so excited to kick off our new monthly feature from our Instagram community! Thank you all so much for hashtagging your images to share. We are constantly wowed by all the amazing work that is produced. This month’s top honor goes to Genevieve Siriois. Make sure to stop by her page, and the pages of all our Top 5 artists to check out more of their wonderful work.

@gesirois

 

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@solmazhr

@victoriaanne.thestorytog

@jenna09d

@karalway

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To see your photo here next month post your favorite documentary family images using the hashtag #shamoftheperfect for a chance to be featured on IG! And don’t forget to also share your images on our facebook page too!

Community Critique – Katy

Community Critique

Today we have an image critique from Katy who describes herself as an hobbyist photographer who is trying to learn is all. Katy has this to say, “I currently live in South Korea with my husband and two boys. My goal is to capture moments…real moments that will bring tears to my eyes many years from now.”

Katy captured this image using a Canon EOS Rebel T2i and a 35mm f1/4 lens. The specs are SS 1/160, f/2, ISO 200.

Critique today comes from Natasha, Jessica, and Lacey.

Natasha: This is a sweet quiet moment of your little boy. I like that you can see all of his belongings around his room, the way he is rocking forward on his chair. The framing of his head below the window sill is good & I like that you can see the texta in his hand, so you know he is drawing or colouring. I feel that this image would have been stronger if it was shot from a different position or perspective. Perhaps if you had stood on top of those steps to the right of the frame, or(what I’m assuming is) the bunk bed so that you could get a side view of him, being able to include the rocking forward on his chair, what he is doing as well as the look on his face. The highlights at the top of his head could be brought down a little so that you could see more detail of that little tuft of hair he’s got going there. Overall, this is a sweet photo to have of your child.

Jessica: I love that you are yearning to capture the details of your family’s life in a way that will move you in the future. The environment of the room here and the stuff on the dresser and window ledge, even the balloons, certainly all tell a piece of this particular story at this point in time. I like that you got low to shoot this, and that you used the dresser as a foreground element. The light here is beautiful, but I think it would be even more stunning if you shot it from the side- maybe from the stairs to the right of him. If you see light falling on a face, pay attention! If you had included his face at side view and the details on the desk, he would have been beautifully illuminated and the background would have darkened down around him, creating a lot of drama and mood. You would still be able to capture the context of who he is and what he is doing, but it might have been a more emotionally moving photograph. Also, it’s not always possible, but when you have a large light source like the window casting light onto a darker indoor scene, try to capture the light without including the light source (ie shooting from the side and exposing for the highlights on his skin). The colors and editing here are beautiful, and I’m sure he will treasure this little piece form his childhood.

Lacey: Thank you so much for sharing this image with us! Something that I think you managed really well in this photo is the use of repeating color. The red in the drapes forms a triangle in the composition as it connects visually to the red hamper in the front left corner. Then the green forms another triangle from with the two dinosaur balloons, the green of the boy’s hood lining, and the objects on the desk. The only other strong color represented in the photo is the blue of the rug, table leg, and the pen in the boy’s hand which also help form a compositional triangle.
I think the photo could be even stronger if you got down lower but angled up a bit so you could keep the straight on view, but show more on the top of the image. I would love to see the dinosaur balloons fully included in the image. I also would be interested to see what this image would like if you lowered your exposure so we could see what was outside the window. As your son is sitting so close to the window I would expect that we would have light softly spilling in and outlining and defining him as the rest of the image falls into shadow.
Keep on learning and enjoying photography! These images will be treasured by you and your son as a reminder of this time in your life living abroad.

 

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Interested in having one of your images critiqued? Check out the submission guidelines.

Juggling motherhood, a photography business, a full time job, and personal projects

Contributor Articles

I am by no means Wonderwoman. So I’m going to start this post by saying I don’t have superpowers or even a magic system that you can follow to juggle multiple priorities in your life. If that’s what you’re looking for, I’m sorry to disappoint.

(But, to be clear, if you find that formula, email me. Mmm’k?)

Here’s what I do have: hard-won experience and a ton of mistakes. And maybe this will help you as you fret about how to fit everything in, whatever those everythings are in your life. But let’s begin with a little backstory.

I started my photography business when I still had a full time executive job at a software company. I was in my mid thirties, a new mom with health issues, and experiencing a bit of an early mid-life crisis. I’ll cop to it: I started my photography business way too early in my artistic journey. I had a 24-70, a Canon Rebel, and some friends with kids who wanted photos. I had no idea what I was doing and no business charging them. But, at the time, photography suddenly became an escape route from the 9-5. Really, there was some desperation and it wasn’t the most auspicious beginning.

I picked up a lot of clients in those early days, as one tends to do when you’re undercharging and have no clue what you’re doing. However, it gave me a false sense of confidence to keep pushing forward and I started thinking that, if I could make a go of this photography business thing, then I could quit my day job, be a less stressed and more patient mother, and enjoy the kind of freedom I had always dreamed of. So I dug in and, in the process, was forced to start prioritizing pretty fast; there just were not enough hours in a day to add in learning photography and building a business while living life the same way I always had. Something(s) had to give.

Some of the somethings in the early days were TV time, my tidy house, and some of my early-morning gym routines. Since my business came to life, my tv time has probably decreased to virtually nothing. (This occasionally leaves me out of polite dinner party conversation but otherwise has had nothing but positive impacts throughout my life.) All of these things were exchanged for time in front of my computer screen taking classes, culling, managing websites, submitting images, shooting, or editing.

Then, when I finally took the big leap and quit my extremely well-paying job about 4 years ago, the financial things were next to go: massages or pedicures or clothes or really a lot of things that I used to “care” about but suddenly were shoveled to the bottom of the pile in importance. Vacations back home to England (or anywhere) were squashed. There just wasn’t room for everything anymore.

In the process, I basically flipped our family’s life upside down. Damn if it wasn’t the scariest and most exhilarating thing I’ve ever done. I remember my first day of freedom clearly. A friend had had her first baby and I went to visit her. On the way home I realized for the first time in 15 years that I didn’t have to check an email or worry about someone else wondering where I was. I can’t describe how happy I felt in that moment. It was everything my wild heart and head had ever wanted.

However, in the coming years, I also lost my house, savings, financial security, and had to completely change my relationship to money. The revolution took a toll on my marriage, even as it gave me space to explore the previously dormant creative sides of me for the first time since I was a kid. I emerged a changed person, financially broken but spiritually the richest I have ever felt.

For all I sacrificed, I would never give up that time. I became a better, more patient, connected mother and human being. I got the time to explore who I was as an artist, to let go at night instead of switching gears to something else; time to work on my business exclusively, to understand what it takes to build a profitable photography business that had to pay real bills; and to battle with the often competing priorities of art vs. money. There were many times when I had to sacrifice artistic integrity for financial benefit. I was constantly conflicted between the two. Many photographers have the benefit of a second income in their family as they build their business and can be more discerning, however, my husband was also trying to survive as a small business owner during this time.

And then, in July of 2016, I took another full-time job, back in the industry I had left four years prior. If leaving the corporate world was the easiest professional decision I had ever made on the surface, then returning without the raging success I had envisioned as a photographer was the hardest. But sometimes you’ve just got to be practical.

In the world of paychecks and PTO, where I have sacrificed freedom, I have gained financial security and the ability to run my business in a way that is more in-line with my artistic integrity than my bank balance. I’m back to juggling again, although, in truth, I never really stopped; it’s just what I was juggling that changed. Now, I have a deeper artistic and technical skillset, and a greater appreciation for what life looks like on “the other side”.

In my time away from the corporate world, I became a Certified Moment Design Photographer, and I started a number of personal projects to help me explore creatively. Obviously, I joined Sham of the Perfect (best decision ever), but I also started and finished my first ever 365 Project, and began The Butterfly Project where I have extended the “Sham” concept to photographing women exactly as they are: strong, beautiful and imperfect.

In my four years working on my photography business and myself, I gained insight and skills that I have taken with me in my return. I’m better at re-connecting to family life at the end of the day, I know what kind of photography jobs I want to take on and am not wasting my limited time on anything else, plus I’m keeping my personal projects going so that I can continue to grow and stretch myself as an artist. My TV time is still virtually non-existent and my house is still messy, but now I can afford the odd pedicure without having a guilt hangover, which makes them even sweeter now.

It’s no mistake that the word I have used over-and-over again in this story is “sacrifice”, because, to me, that’s the answer to the opening question of how you do “it all”. First of all, you can’t. I learned that you have to define what “all” means. What are your priorities? What is your heart, your soul, your very being calling out to you to do, right now? What is the cost of that? Can you bear it? Are the people who love you and support you along for the ride? Write that stuff down, tape it to your mirror, and keep checking in with it. Are you staying true to those priorities and letting the rest go? Or are you beating yourself up needlessly for not doing things that really don’t matter to you at the end of the day? (Notice I said matter “to you”… you kinda gotta say screw it to what everyone else says matters. Unless, of course, pleasing them matters to you.)

For me, my #1 priority is my daughter. Time with her and being fully present in that time, is the most important and fulfilling thing for me. If that means the bed doesn’t get made or the dishes stay in the sink a bit longer, so be it. The great thing about your personal work being more documentary in nature is that you never have to sanitize your life to capture it. That’s HUGELY freeing. It also means that, if I need to put down the camera to participate vs. observe, then that’s what happens. She’s 7 now and so there are more opportunities to observe than when she was younger but she’s also quieter, less active, and more introspective than she was as a toddler. I use those times to capture that part of her and have let go of trying to capture ALL of the moments when we’re doing something together. Sometimes I’ll take my camera, sometimes I won’t. A lot of the time, I’ve found, even if I take it with me, I won’t use it because I’m busy being in the moment with her. In the past I would have let the pressure of comparison – seeing all the beautiful shots on Instagram or Facebook from other mom photographers – convince me that I needed to capture every cute moment or beautiful scene. Now I content myself with feeling them, being there in them, and committing them to memory. I’m sacrificing images for presence. I’m totally ok with that and there are a lot more decisions like that I make every day.

In short, I don’t juggle “it all”, I just try to make a conscious decision about which balls I’m going to drop. And some days I’m pretty lousy at it. It often ebbs and flows where I find myself putting almost all the balls down because I’m just so damn weary, slowly picking some back up until I throw my hands in the air and decide it’s time to hit the reset button again.

So, if there are things that you want to say “yes” to but you’re just not sure how to fit into your life, don’t just take your inner “no” for an answer. (It’s probably your fear talking anyway.) Maybe your life is already full of priorities or obstacles you can’t overcome to get to yes, or maybe there is that one thing you could let go of to give you just enough space to work it in. Maybe one of those things is photography. So take it one day at a time and keep checking in with that your priority list; nothing in life is static, view it as a process. Take on and let go of one thing at a time. Do what you can and let the rest go. It won’t ever be perfect but that exquisite tension is exactly what will keep you transforming your life and your art. At least, it has for me.

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